David Liptak - composer

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Works for Chamber Ensemble

Two Nocturnes (2018)
flute, clarinet, cello

1. Stone and Leaf
2. Under Starry Skies

Commissioned by Music in the American Wild
2017 Project Grant from New Music USA

12 minutes


New Focus Recordings FCR339

American Composers Edition Score and parts

Music for Strings and Hammers (2017)
violin, double bass, piano
Composed for the ensemble Strings & Hammers and premiered by them in Madrid in November, 2016
Two movements: 1. Nails, 2. Heart
12 minutes, ACE

 
 
 
Chaconne (2000)
Commissioned for the Ying Quartet, who gave the first performance on the concert series of Chamber Music Rochester.

11 minutes, 
KC

excerpt - Ying Quartet
 
 
String Quartet No. 1 (1978, revised and edited in 2021)
Commissioned by NPR station WKAR for the Beaumont String Quartet, who gave the premiere performance in East Lansing, Michigan.


 
 
 
String Quartet No. 2 (2002)
Commissioned by the Barlow Endowment for Music Composition for the Cassatt Quartet, who premiered the work in Philadelphia.
18 minutes, ACE

excerpt - Cassatt Quartet
 
 
String Quartet No. 3 (2012)
Written for the JACK Quartet.
19 minutes, ACE

"Partway through JACK Quartet's Friday night concert at Roulette, something unusual occurred; the group was playing with a rich vibrato. ... The vibrato, which was lovely, came in the third movement of Liptak's excellent String Quartet No. 3. After hearing JACK for years produce gripping sounds in avant-garde compositions of the likes of Helmut Lachenmann and Horatiu Radulescu, it was a charming and slghtly bewildering revelation to hear how they sound playing minor chords. And JACK sounded wonderful.

As did Liptak's piece, a contemporary statement on the history of the string quartet. ...The style is expressionistic, with direct roots in Bartók, Dutilleux and, it seemed, the moody, quasi-romantic modernism of André Boucourechlíev. The tonality is minor key, and there is a velvety darkness covering a fiery intensity."

- George Grella, The Classical Review, January 17, 2015


excerpt - JACK Quartet
 
Piano Trio No. 1 (1991)
Written for the Raphael Trio, who first performed the work at Miller Theater in New York City.
18 minutes, KC

 
 
 
Piano Trio No. 2 (2002, revised 2016)
Two pieces for violin, cello, and piano - Rhadsody and Arabesque.
9 minutes, ACE

 
 
 
Cold Litanies for flute, cello and piano (2007)
Commissioned for Trio Xia, who gave the first performance in Honolulu in 2007.
17 minutes, ACE

excerpt - "Blue" Voices of Change
 
 
Trio for viola, percussion, and piano (2007)
1. Indifferent Flow 2. Rainbow Dust 3. Shards
17 minutes, ACE

excerpt - "Shards" featuring violist George Taylor
 
 
Quintet for Piano and String Quartet (2006)
26 minutes, ACE

excerpt - "Shaping the Invisible"
excerpt - "Glacier"
excerpt - "Spring Images"
Fanfare for Trumpets for five trumpets (2005)
1 minute, ACE

 
 
 
Commedia for clarinet, violin, and piano (2001)
Commissioned by the Verdehr Trio, and recorded by this ensemble on Crystal Records. The four movements are 1. Entrada - Harlequin and Columbine, 2. Intermezzo - Pierrot, 3. Intermezzo - Pulcinella, and 4. Finale - Scaramouche.
15 minutes, ACE

"David Liptak's Commedia was the other commissioned work on the program, a set of musical portraits of the antics of the 16th century Comedia dell'Arte comic figures Harlequin and Columbine, Pierrot, Pulcinella and Scaramouche. Liptak, fluent in the language of violin and clarinet sonorities, has crafted vivid images while avoiding the lure of the caricature and has done this with energy and a sense of humor."
-Washington Post, 3/9/09

"His Commedia , composed in 2001, is an evocation of the 16th-century commedia dell’arte . Harlequin, Columbine, Pierrot, Pulcinella, and Scaramouche are all given highly characterful portraits. One cannot listen to this music without recalling Schoenberg’s world-storming Pierrot lunaire . His atonal and highly instrumentally colored settings of Albert Giraud’s poems will, of necessity, haunt any composer with the temerity to deal with any of the commedia dell’arte characters. Liptak’s language is appropriately jagged and disjunct. It is in the quiet second section, “Intermezzo—Pierrot,” that he practices his most humanistically telling magic by forging the link between all of those overtly comedic characters (with their heroism, pathos, wisdom, cluelessness, and grotesqueries) and ourselves." -Fanfare Magazine, William Zagorski


excerpt - "Harlequin" (Verdehr Trio)
excerpt - "Scaramouche" (Verdehr Trio)
Poppies for string trio (2000)
1. Orange Flares 2. Black, Curved Blade 3. Deep, Blue Night
The titles of the three movements use phrases from Mary Oliver's poem "Poppies."
18 minutes, KC

excerpt - "Black, Curved Blade" Juliana Athayde, violin, Melissa Matson, viola, John Haines-Eitzen, cello
 
 
Janus Variations for clarinet, violin, cello, and piano (1998)
Commissioned by the Mary Cary Flagler Charitable Trust for the New York New Music Ensemble, who premiered the work in New York and Los Angeles.
18 minutes, KC

excerpt - New York New Music Ensemble
 
 
Giovine vagha for flute, clarinet, violin, cello, marimba, and piano (1996)
Composed for the New York New Music Ensemble. Recorded by musicians from the Eastman School of Music and from the Staatliche Hochschule für Musik in Freiburg on Albany Records. The piece incorporates music from a two-part "ballata" of the 14th-century composer Francesco Landini.
10 minutes, KC

excerpt - Musicians from Eastman and Freiburg
 
 
Rhapsodies for flute, clarinet, violin, cello, and piano (1992)
1. Con forza 2. Lirico 3. Allegro disinvolto
Commissioned by Meet the Composer for the Society for New Music in Syracuse, the Thamyris New Music ensemble, and the Third Angle New Music Ensemble.
Recorded by the Society for New Music in Syracuse on the Innova label
16 minutes, KC

"(the concert by newEar Contemporary Ensemble) ... concluded with a major work, David Liptak’s Rhapsodies for Flute, Clarinet, Piano, Violin and Cello, under the direction of Steven Davis. In three connected movements, Rhapsodies evolves and flows from a single, simple melodic cell. The first rhapsody, marked 'Con Forza,' is indeed an insistent, forward moving yet ultimately lyrical movement. 'Lirico, which follows, is immediately more sustained and relaxed, a flowing, languid nocturne. Flute and clarinet (NewEar stalwarts Thomas Aber and Lyra Pherigo) contributed wandering, lazy lines, colored by splashes from the piano and pizzicato strings. The final rhapsody, 'Allegro Disinvolto,' is dance-like in character. Starting out a bit stilted and mechanical, the dance soon takes off, involving the whole ensemble, with flute predominant, until the piano alone pirouettes to the silvery conclusion."
-I Care if You Listen magazine, 10/5/13


excerpt - "Allegro disinvolto" Society for New Music
 
Trio for clarinet, violin, and piano (1988)
12 minutes, ACE

 
 
 
Publishers
American Composers Edition (ACE)
Keiser Classical (KC)
Alfred Music
Dorn Publications
Ensemble Publications

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David Liptak © 2019